Prizes

Virtuti Militari

PSA Travel Grant

Each Year the Polish Studies Association contributes $1,000 to bring a scholar from Poland to the United States to deliver a paper at the Annual Convention of the Association for Slavic, East European, and Eurasian Studies.

  • 2015: Olga Linkiewicz, Institute of History PAN, “The Racial ‘Best Substance’: Anthropological Research on Society and the National Interest in Interwar Poland,” presented at the Association for Slavic, East European, and Eurasian Studies, November 22, 2015
  • 2015: Lydia Zessin-Jurek, “The Rise of an Eastern European Community of Memory? Brussels as A Catalyst of the New Gulag Remembrance in Poland,” presented at the Association for the Study of Nationalities, April 14, 2015
  • 2013: Paweł Wolski, “Post-Holocaust Urban Narratives.”
  • 2012: Anna Mazurkiewicz, “Cold War Activism: Organizations Sponsored and Founded by the National Committee for a Free Europe.”
  • 2011: Marcin Zaremba, “How the ‘Winter of the Century’ Warmed up Poles: The Climate as a Contributing Factor to the Rise of Solidarity.”

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The Aquila Polonica Prize

Aquila Polonica
The biennial Aquila Polonica Prize is given to the author of the best English-language article published during the previous two years on any aspect of Polish studies. The award carries a $500 honorarium (thanks to the generous support of Aquila Polonica Publishing, which specializes in publishing the Polish experience of World War II), and is announced at the National Convention of the Association for Slavic, Eurasian, and East European Studies.

  • 2015 Winners:

Piotr Kosicki, “Masters in their Own Home or Defenders of the Human Person? Wojciech Korfanty, Antisemitism, and Polish Christian Democracy’s Illiberal Human Rights Talk.” Modern Intellectual History (June/July 2015).

Piotr Kosicki’s article clearly demonstrates that the author is a master in the discipline of history and a defender of a publicly engaged scholarly work. Piotr’s carefully researched, beautifully written and extremely gripping article explores the historical trajectory of the discourse of the Polish Catholic right and its contemporary implications. In so doing, it situates a fascinating Polish case in a broader context, tracing connections between the Polish Christian ideology and  political and philosophical movements in other European countries, shading a new light on the ideological underpinnings of Polish Antisemitism, and questioning some widespread assumptions regarding the role of Catholic politicians and intellectuals in prewar and postwar Poland. Strongly grounded in history, it forces the reader to reflect on contemporary Polish scene. And it simply does what an exemplary article on Poland should do: going beyond the narrative of Polish “specificity,” it shows that a specific Polish case study helps us understand more general and widespread phenomena.

Lisa Jakelski, “Pushing Boundaries: Mobility at the Warsaw Autumn International Festival of Contemporary Music,” East European Politics and Societies 29, 1 (2015): 189-211.

The committee was very impressed with Jakelski’s well-written, historiographically significant, and analytically sophisticated article on an original topic—the Warsaw Autumn International Festival of Contemporary Music. Jakelski sought out and analyzed original archival sources in order to present a highly nuanced argument about Cold War mobility, the nature of borders, and the complex set of relations—both within the Soviet Bloc and between Poland and “the West”—during the globalized 1960s. Particularly important is Jakelski’s dual focus on how cross-border connections could be both “top-down”—i.e. orchestrated by those working in an official capacity for the state—and “bottom-up”—i.e. consisting of the informal networks of people who circulated ideas about modernist music. Overall, Jakelski shows us that studying music does not simply provide a way to talk about the breaking down or the erecting of borders during the Cold War, tropes that can often be polemical and over-simplistic. Rather, this nuanced study of the constantly changing reconfigurations of metaphorical and literal borders makes her work relevant to those working beyond the field of Polish Studies. At the same time, however, Poland—a country that, she argues, was of particular significance “in cementing cultural ties between Eastern and Western Europe”—remains the central point of analysis.

Agnieszka Pasieka,  “Neighbors: About the Multiculturalization of the Polish Past.” East European Politics and Societies, 28 (Feb 2014): 225-251.

Pasieka challenges our understanding of a trope that most people caught up in the debates over Jan Gross’s work took completely for granted: neighbors and neighborliness. She draws on critical literature far beyond Poland to show that the paradigm of neighborliness as harmonious ethnic coexistence hinges on an idealized multicultural past. Pasieka uses her own fieldwork conducted in Southern Poland to present the Polish-Lemko relationship as a foil to get us past the binarism of Polish-Jewish identity issues. In her close analysis of narratives of conflict such as the Jedwabne debates, she finds contradictory patterns of neighborliness that can accommodate both the embrace of the other as “family” and the preservation of intergroup boundaries between “us” and “them.” There is a danger in romanticizing the neighborhood as a unit of measure, Pasieka argues, and her article successfully compels us to think through these difficult issues on a different scale.

 

 

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The Kulczycki Book Prize

Starting in 2011, the Polish Studies Association will co-sponsor, along with the Association for Slavic, East European, and Eurasian Studies, the annual Jerzy and Aleksandra Kulczycki Book Prize. To be eligible, a book must be an original work published outside Poland in English (i.e., not a translation), dealing with any aspect of Polish Studies. Comparative or transnational works will be considered only if Poland is the primary site of study. Strong preference will be given to younger scholars.

  • 2015
    • Michael Fleming, Auschwitz, the Allies and Censorship of the Holocaust (Cambridge University Press, 2014)
    • Per Anders Rudling, The Rise and Fall of Belarussian Nationalism 1906-1931 (University of Pittsburgh Press, 2014)
  • 2014: David Frick, Kith, Kin, and Neighbors: Communities and Confessions in Seventeenth-Century Wilno (Cornell University Press, 2013).
  • 2013: Beth Holmgren, Starring Madame Modjeska: On Tour in Poland and America(Indiana University Press, 2011).
  • 2012: Brian Porter-Szűcs, Faith and Fatherland: Catholicism, Modernity, and Poland(New York: Oxford University Press, 2011).
  • 2011: Antony Polonsky, The Jews in Poland-Lithuania and Russia 1350 to the present day (Oxford: Littman Library of Jewish Civilization, 2009-2012).
  • 2010: James Bjork, Neither German nor Pole: Catholicism and National Indifference in a Central European Borderland.
  • 2007-2008: Co-Winners:
    • Natalia Nowakowska, Church, State and Dynasty in Renaissance Poland: The Career of Cardinal Frederyk Jagiellon.
    • Genevieve Zubrzycki, The Crosses of Auschwitz: Nationalism and Religion in Post-Communist Poland
  • 2005-2006: Co-Winners:
    • Marci Shore, Caviar and Ashes: A Warsaw Generation’s Life and Death in Marxism, 1918-1968
    • Alison Frank, Oil Empire: Visions of Prosperity in Austrian Galicia
  • 2003-2004: Gunnar S. Paulsson, Secret City: The Hidden Jews of Warsaw, 1940-1945
  • 2001-2002: No Winner
  • 1999-2000: Brian Porter, When Nationalism Began to Hate: Imagining Modern Politics in Nineteenth-Century Poland
  • 1997-1998: Kathleen Cioffi , Alternative Theatre in Poland 1954-1989
  • 1995-1996: Grzegorz Ekiert, The State Against Society: Political Crises and Their Aftermath in East Central Europe
  • 1993-1994: Jan Kubik, The Power of Symbols against the Symbols of Power: The Rise of Solidarity and the Fall of State Socialism in Poland

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